The issues that needed to be resolved in the design were both of aesthetics and functionality. The issue of aesthetics was resolved through a change in method of production. While the first iterations were all meant to be printed by conventional Xerox printer, turning to risograph printing allowed for a natural grain and texture to add richness to the work. Additionally, the limited color palette allowed by the risograph made the color scheme much more manageable. In the new iteration all the outlines and highlights used fluorescent pink, unifying the aesthetic, while the body of the figures were colored in orange for Act I, green for Act II and blue for Act III. This simplified tone and created a more cohesive work, resolving the issues of style.
